Your selections:
- Halton, Rosalind, Talbot, Michael
Alessandro Scarlatti (1660 - 1725). L'Orfeo: cantata for voice (S), two violins, and basso continuo
Night and dreams: text, texture, and night themes in cantatas by Alessandro Scarlatti
Performing proportion: crux awareness in Scarlatti interpretation
- Harper, Nancy Lee, Henriques, Tomás, Halton, Rosalind
Alessandro Scarlatti, Four Sonate a Quattro: two violins, viola and violoncello
Alessandro Scarlatti: solo serenatas
- Catsalis, Marie-Louise, Halton, Rosalind
Birthday tribute or cantata contest: Alessandro Scarlatti's 'A Voi Che L'Accendeste'
A voi che l'accendeste: for solo voice and continuo
Venere, Adone, e Amore: serenatas and cantatas by Alessandro Scarlatti
Explorations around bass parts and key schemes: recording the cantatas of Alessandro Scarlatti
Musicology waiting for performance: some persistent problems in reviving the Italian cantata repertoire
Alessandro Scarlatti (1660 - 1725). Lucretia Romana: cantata for soprano and basso continuo
Serenata in flux: the two versions of Venere, Adone, et Amore by Alessandro Scarlatti
Are you sure you would like to clear your session, including search history and login status?